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The month of Halloween, people often bring up Victorian mourning practices. Back then, it was an elaborate system, as was etiquette in general. I’ll talk about it another time, but here is something much more upbeat, a great movie clip from Gone with the Wind. The clip is four minutes, 45 seconds. At the end, Scarlett is a teenager in Deep Mourning, the first stage of mourning, which includes relative isolation. Note that even her jewelry is black. The other woman in mourning is her mother. Hattie McDaniel gives her Oscar-winning performance as Mammy. This clip sounds gloomy but is fun.

http://www.tcm.com/mediaroom/video/281096/Gone-With-The-Wind-Movie-Clip–Savannah-Would-Be-Better.html

 

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This gallery has paintings and 285-year-old furniture from Houghton Hall’s Saloon room, and a copy of its wallpaper.

It’s not the real Houghton Hall in Norfolk, England, but a San Francisco museum has plenty of its furnishings and art. Different rooms of the hall are depicted in the rooms of the California museum. Houghton Hall was built in the early 1700s by Sir Robert Walpole, the first de facto British Prime Minister. Houghton Hall: Portrait of an English Country House is an exhibit at the Legion of Honor, a grand building itself. The grounds have a sweeping view of San Francisco, the Golden Gate Bridge, and sea cliffs. The exhibit will be there until January 18, 2015.

Furniture from the Marble Parlour in front of a large photo of the real parlour papering the wall.

Furniture from the Marble Parlour in front of a large photo of the real parlour papering the wall.

 

The Marble Parlour was a dining room, and its beautiful china and silver is here along with its chairs, above.

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The Library, as displayed in San Francisco’s Legion of Honor.

Ovid’s Metamorphoses, a fifteen-volume work

The galleries have videos of the actual rooms, so ornate they are stunning!  I’ll give you a link to the real Houghton Hall below, and look in the bottom row for the room with the bright blue wallpaper shown below. That same room has a lavish bed for a child, the grandson of Sir Robert Walpole, a christening gift from the child’s godparents, King George II and Queen Caroline. The bed is in San Francisco, too.  This page of the website of Houghton Hall, Norfolk, England, has a dozen small photos you can click on to enlarge.

Wallpaper hand-painted and -printed in China about 1780. From Houghton Hall.

Wallpaper hand-painted and -printed in China about 1780. From Houghton Hall.

 

This is about Lady Sybil, not of the show Downton Abbey, but of the Houghton Hall of my last post.  This Lady Sybil rescued Houghton Hall from neglect. She and her brother Sir Philip Sassoon collected art which is now at the Hall, and some is now at the San Francisco exhibit.

Lady Sybil Sassoon (1894-1989), later Lady Chalmondeley, was a friend and supporter of statesmen and artists. She founded the Women’s Royal Naval Service.

The American painter John Singer Sargent painted this portrait of her as a gift when she married the heir to Houghton Hall, the Earl of Rocksavage, in 1913. Sargent gave her the cashmere shawl she wears and painted “To Sybil from her Friend, John S. Sargent.”

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Her husband inherited Houghton Hall six years later and it was Lady Sybil’s home for the next seventy years, and she restored it to its former glory.

Houghton Hall, Norfolk, England

Houghton Hall, Norfolk, England © Copyright dennis smith

Last week, I posted photos from San Francisco’s Legion of Honor’s current exhibit Houghton Hall. Here’s a photo of one more room in the exhibit, the gallery with artifacts from Houghton Hall’s Tapestry Dressing Room.

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 Lady Sybil wore this robe, train and dress at the coronation of George IV in 1937. A peer’s rank dictates the type of ceremonial dress. Her father-in-law, the 4th Marquess of Chalmondeley, had the role of Lord Great Chamberlain at an earlier coronation (Edward VII in 1902) and wore the uniform above, including this hat.

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Here is the website of Houghton Hall, a page showing its splendid rooms. Click on the thumbnail photos to enlarge them. The exhibit at San Francisco’s Legion of Honor closes January 18, 2015.

 

Try zooming in on this panoramic photo. It looks hand-painted.

http://upload.wikimedia.org/wikipedia/commons/8/8d/Panorama_of_Denver%2C_Colorado%2C_1898.jpg

The cursor is a tiny magnifying glass with a plus sign. Move it to a spot you’d like to visit. Click to zoom in to Denver on Dec. 31, 1897.  Click again to zoom out.

The label on Wikimedia Commons says, “The view depicted is looking northwest down 16th Street, image taken from Colorado State Capitol.”

The Capitol was only a few years old, and the photographer William Henry Jackson must have looked out onto new buildings that seemed tall and modern. A vibrant, modern city.

The triangular building on the right is the Brown Hotel, which Google Earth shows as now dwarfed by high rises.The large one in the center foreground, red brick with pale granite lower stories, is the Majestic Building, which no longer stands. Same architect for both buildings. The tall, domed building on the left, yellow and facing us, is the county courthouse.

The street in front of the park in the foreground is much darker than 16th Street. It looks like 16th Street was not paved, and the pale dirt is covering some of the dark, paved street.

On the left foreground, the white sign painted on the building reads “Palace Stables.” There can’t be any livery stables left in downtown Denver.

This is before the earthquake, but Market Street looks chaotic:  cable cars, autos, horse-drawn carriages and pedestrians dodging all of them. You see the Ferry Building, which still stands, at the end of the street. The camera was mounted on the front of a cable car, so the people and cars crossing the tracks are crossing in front of a cable car.

This was shot only about four days before the catastrophic earthquake and fire, but by that time the film was safely on its way to New York to be developed. I wish all the people in the film had also been out of town.

This excerpt is sharper than the longer versions on YouTube.

Two weeks ago, I posted here about the Oak Park, Illinois, neighborhood with several homes designed by Frank Lloyd Wright. When I was in Maui last week on vacation, I had to take a look at a golf clubhouse from designs by Frank Lloyd Wright.

I drove up the hill with two golfers, my husband and our friend Larry Franklin, who raved about the golf course, but our first look at the clubhouse startled us. Overlooking a large valley, hugging a hillside, the clubhouse looks futuristic.

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You see a small part of the valley below.

You see a small part of the valley below.

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Built in 1993, decades after the passing of Wright, the clubhouse of the King Kamehameha Golf Club, is from archived Frank Lloyd Wright designs for a structure or structures that were never built. They were adapted by Taliesin Architects.

Check out the link above. It has photos of a side with circular windows, and the interior, which I did not get to see. It is a private golf club. (Golfers can sample the course with a day pass.)

The video on the page, from the Golf Channel, says the design was based on a home for a certain screen legend. No spoiler from me.

The website also devotes a page to Frank Lloyd Wright’s design, with more photos.  I’m glad I bought that travel guidebook! I did not expect this in Maui.

Me at Kapalua Bay, Maui

Me at Kapalua Bay, Maui

 

The Frank Lloyd Wright Home and Studio was closed for the day by the time we arrived in Oak Park, Illinois. We bought a map in the gift shop and walked around the corner.

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On Forest Avenue, most of the homes were not designed by Frank Lloyd Wright. The yards are not wide, so it’s one lovely house after another, mostly Victorian and conventional, as you see above.

And then, bang. The 1902 Arthur Heurtley House, designed by Frank Lloyd Wright. This is Prairie Style, horizontal as Great Plains. Wright wanted to create an American style for homes. This home has leaded windows, for which Wright is known.

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Across the street is the Moore-Dugal Residence, built by Wright in 1895. It’s a Tudor with some twists. Wright said, “A porch on a half-timber English Tudor. That never happened before.” I like the balls under the porch railing, and elsewhere, like the fence, where I got a close look at their ornamentation.

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This house went through a fire in the 1920s, and Wright, who had moved on from Oak Park, returned to redesign and rebuild the ruined upper half. The chimney had been conventional before, and he replaced it with a blade-shaped one.

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Too bad Wright’s studio and home were closed, but if I had got there on time, maybe I would have skipped the neighborhood tour, which I enjoyed very much. I did get to see his studio and home from the outside. The pillars have birds on them.

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There’s a lovely plaque with his name in stone, and above it,one of two sculpted crouched figures.

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Would I have noticed this, up high, if I had toured the interior? I don’t know, but I do know I will try to go back.

 

 

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