Artist Chris Burden was profiled in the Los Angeles Times on May 11, the day after his death. The first line says that he once had himself shot in the arm for a performance piece. Luckily, the bullet just grazed him. Although shocking, that’s not why art critic’s Christopher Knight article about him was on the front page of the L.A. Times, where only the famous, such as statesmen and Hollywood celebrities, get their obituaries. Burden’s is there because his “Urban Light” has become a Los Angeles landmark.
Chris Burden saw art in vintage streetlamps. He painted them gray and installed them in front of the L.A. County Museum of Art, on busy Wilshire Boulevard. They are now solar powered. The lampposts in each row are identical, so that even the most ornate have a peaceful grace.
This video by Mike Fix showcases the art installation with aerial views and gorgeous music: “Experience” by Ludovico Einaudi.
Following in Gutenberg’s footsteps, the business card above was printed with movable type, with the individual letters assembled by hand. The origin of the terms “upper-case” and “lower-case” letters lies in old print shops, where the capital letters were kept in a drawer above the “lower-case” letters. The individual pieces are called “sorts,” and in the past, when you ran out of the sorts for a single character, or all those ones were broken, you were “out of sorts.”
Some print shops today have letterpress printing presses as an option for their customers. Not all letterpress printing is with sorts assembled manually, as it is with this card.
Letterpress engages the senses:
Printers report that one can smell the ink on the finished product,
We see the depth of the text and images and
We feel the weight of the paper.
The International Printing Museum in Carson, California is one of the institutions that offers classes in letterpress.
Completely clothed and completely nude, this life-size art piece is cast class. I believe the dress is very old, originally owned and worn by a pianist. The “body” is that of a contemporary woman, that word in quotes because this piece is hollow.
It is translucent and seems to glow. Unusual, but lovely, too. I really wanted to share this one with you.
I saw this beautiful piece at the Palm Springs (California) Art Museum, in Contemporary Glass 2012/2013. You can see the exhibit until November 3, or click the link below to see some of these works, and how the cast glass piece pictured above stood out, looking like a classical sculpture in a gallery of contemporary pieces. Click on the thumbnails to enlarge each photo. All of the pieces look very different from each other:
Angelenos, do not click away. You may be very used to seeing Walt Disney Hall, but I’ve included a photo of the a little-seen modern, elegant VIP room, the Founder’s Room. First, here’s the exterior of Walt Disney Concert Hall, which opened in 2003 in downtown Los Angeles.
Designed by Frank Gehry, it is a concert hall in the round and the home of the L.A. Philharmonic and the Los Angeles Master Chorale. I have a subscription to the Philharmonic, and when I walk up these steps in the afternoon to go to my matinee, there are always people outside taking photos. Many look like they are on vacation. They are happy to see this gorgeous building, but I feel lucky that I have a ticket to hear the L.A. Phil in this beautiful venue with its amazing acoustics.
Orchestras and chorales perform wonderful concerts at Christmastime. You may want to buy tickets now to a holiday concert in your area.
Disney Hall’s Founder’s Room is a VIP room, but you can rent it for a wedding or a private party.
“Play Me, I’m Yours,” an international project by artist Luke Jerram, is all about the joy of music. For three weeks In the spring of 2012, this project came to Los Angeles, courtesy of the Los Angeles Chamber Orchestra. Thirty pianos were scattered about the county, outdoors and indoors.
In a courtyard with modern stores in historic buildings, people stood and looked at the piano. It was Saturday evening and couples had come to enjoy the restaurants, stores and movie theater. There were three young men about eighteen years old. Everyone kept their distance from a wildly painted piano.
“It’s for anyone to play,” someone said.
“He can play,” one of the young men said about another.
People said they would like to hear him play, but the young man made no move to do so.
“Nobody expects you to be great,” I told him.
He sat at the piano. His playing wasn’t perfect.
Yet the music was magic in the twilight on the Saturday evening. Couples put their arms around each other as they listened. At the end of the song, people applauded.
Here’s a link to a wonderful video. A gospel choir sings at a street piano twenty years to the day after the Los Angeles riots. Elson Trinidad, the choir member at the keyboard, says, “Things have changed in twenty years and we’re going to celebrate the changes.”
Elson Trinidad and the Gospel Choir of St. Agatha’s Church on a Street Piano