Picasso saw things differently. On January 2, the Tournament of Roses Parade will pass Norton Simon Museum.
What were the steps in Picasso’s mind when he looked at a person or animal, drew it, and changed it into an abstract image? What were the steps on paper? In a current exhibit, a likeness of his companion becomes abstract over a series of ten lithographs. There is a longer series of a picture of a bull. When I saw these along the wall, I just had to see them one on top of another. I’ve done that in these videos.
Picasso said, “It took me four years to paint like Raphael, but a lifetime to paint like a child.”
This exhibit, “States of Mind: Picasso Lithographs 1945-1960,” is on display at Norton Simon Museum, Pasadena, until February 13, 2017. Also, Van Gogh’s “Bedroom” is there through March 6, on loan from the Art Institute of Chicago. http://NortonSimon.org. Happy New Year!
TV murder mysteries with 1920s fashions–including cars–that are to die for.
Australian Broadcasting’s “Miss Fisher’s Murder Mysteries” features fabulous 1920s clothes and hats, as well as strong personalities.
“I’m not the marrying kind,” says the uninhibited Miss Fisher. I love that line! She uses that charming euphemism for a woman who sleeps around, and she’s at ease with herself. She loves to drive her own “motorcar,” and she has such an adventurous spirit that I was not surprised when she jumped into the cockpit of an “aeroplane” and flew it. Of course Miss Fisher can fly.
The next clip is from the first show, where she meets the prickly Detective Inspector Jack Robinson.
As Phryne solves crimes, Jack’s irritation turns to respect. He isn’t the man you saw in her boudoir, and much as we want it, that scene may never come to pass. Instead, he and Miss Phryne Fisher share affection and a crackling sexual tension.
Based on novels by Kerry Greenwood, at the end of the day, each 55-minute 1920s extravaganza is a solid whodunit, in my opinion, and I usually watch a TV whodunit at the end of the day. I get my Phryne fix on Netflix, on Watch Instantly, but I get it on Acorn, too. I just finished the 2015 season and will have to wait for more while I re-watch the old ones.
Mostly set in Melbourne, the Australian buildings are sumptuous, as in the opening frames of the next clip. Speaking of frames, love the 1920s sunglasses, too.
Artist Chris Burden was profiled in the Los Angeles Times on May 11, the day after his death. The first line says that he once had himself shot in the arm for a performance piece. Luckily, the bullet just grazed him. Although shocking, that’s not why art critic’s Christopher Knight article about him was on the front page of the L.A. Times, where only the famous, such as statesmen and Hollywood celebrities, get their obituaries. Burden’s is there because his “Urban Light” has become a Los Angeles landmark.
Chris Burden saw art in vintage streetlamps. He painted them gray and installed them in front of the L.A. County Museum of Art, on busy Wilshire Boulevard. They are now solar powered. The lampposts in each row are identical, so that even the most ornate have a peaceful grace.
This video by Mike Fix showcases the art installation with aerial views and gorgeous music: “Experience” by Ludovico Einaudi.
The month of Halloween, people often bring up Victorian mourning practices. Back then, it was an elaborate system, as was etiquette in general. I’ll talk about it another time, but here is something much more upbeat, a great movie clip from Gone with the Wind. The clip is four minutes, 45 seconds. At the end, Scarlett is a teenager in Deep Mourning, the first stage of mourning, which includes relative isolation. Note that even her jewelry is black. The other woman in mourning is her mother. Hattie McDaniel gives her Oscar-winning performance as Mammy. This clip sounds gloomy but is fun.
This is before the earthquake, but Market Street looks chaotic: cable cars, autos, horse-drawn carriages and pedestrians dodging all of them. You see the Ferry Building, which still stands, at the end of the street. The camera was mounted on the front of a cable car, so the people and cars crossing the tracks are crossing in front of a cable car.
This was shot only about four days before the catastrophic earthquake and fire, but by that time the film was safely on its way to New York to be developed. I wish all the people in the film had also been out of town.
This excerpt is sharper than the longer versions on YouTube.
From childhood, I’ve loved The Twilight Zone, the sci-fi TV show (1959-64). Most episodes were only 24 minutes long, but with a different premise and characters in each, like the short stories in science fiction magazines of the time. Some of the stories were adapted for the show.
Richard Matheson was a prolific author whose writing included sci-fi short stories, but I first heard of him when I watched every Twilight Zone episode on Netflix, one per day.
Matheson wrote sixteen episodes of The Twilight Zone, including the classic “Nightmare at 20,000 Feet,” in which William Shatner sees a gremlin on the wing of the aircraft. This is sometimes spoofed, maybe because the creature looks like a man in a hairy costume, but the frustration felt by William Shatner’s character is what makes this a classic: what if you saw impending doom, and nobody believed you?
You can watch Richard Matheson’s Twilight Zone episodes for free by clicking here. They are easy to view — no signing up for anything. They have modern commercials.
Later, Matheson wrote the novel and screenplay for “Somewhere in Time,” a wonderful time-travel romance. Blending science fiction and a powerful romantic love, the film is beautiful, as are its stars, Jane Seymour and the late Christopher Reeve (heart-breakingly beautiful to me because of his tragic real life). Click here to see the trailer. It was filmed on location at the Grand Hotel on Mackinac Island, Michigan.